you have to get yourself out of yourself

I watched Swedish literary talk show ‘Babel‘ the other day. Host Jessika Gedin was interviewing Kristian Gidlund, who has written a book, and a blog, about fighting stomach cancer. Gedin prefaced the interview by saying that several people had suggested she’d read Gidlund’s book, but that she’d been hesitant to do so until Gidlund was going to be a guest on the show (and she had no choice).

We have to assume that it was fear that kept Gedin from reading a book written by a 29-year-old cancer patient.

I told my Intro to Media Studies class this story as an example of what happens when we avoid topics that we perceive to be ‘sensitive’: We exclude experiences, and people, who have the right to be heard, and from whom we probably have something to learn.

One of my students agreed vehemently. “Books like that are supposed to be inspirational”, he said. “It’s wrong to avoid them”.

When I told him that Gidlund is dying, and that he said in the interview that he doesn’t expect to make it much past summer, my student’s face changed. He hadn’t thought about that, that cancer actually can kill you. He didn’t think of that because so much of the cancer rhetoric is concentrated on the fight, the heroes, the survivors, the inspirational stories.

Gedin introduced Gidlund by talking about the shift in his life when he went from being a touring musician to a cancer patient. “Plans for the future were replaced by cancer treatments”, she said.

When you are diagnosed with cancer treatments are your plans for the future. And, given the circumstances, they seem to be pretty good plans too. At least to you. It was irritating to me to watch an interview where the interviewer proved herself to be incapable of appreciating that her perspective is a perspective, not the truth. Instead she kept using her perspective, the outsider’s perspective, to ‘explain’ the experience of her cancer patient guest.

I suspect she hadn’t read the book after all.

public safety

As I was driving home this evening all of a sudden I noticed a police cruiser pulled over into the center divider in the distance, ahead of me. Blue and red lights were flashing and cars moved over one lane as they were preparing to pass. I moved over too. I wondered what was going on – the lights always look dramatic. When I got closer I could see something on the ground halfway out into the left lane. The cruiser was sitting behind this object, or person?, and an office was moving towards it. As I passed I got a better look. It was a mattress, with bungee cords still attached. It was a windy day, and it had been blown off someone’s truck. The police officer, by himself, was dragging it out of the way.

And I was thinking, thank you, guy, for being strong enough to do that. Mattresses are heavy. And I was thinking, stupid people who didn’t secure that mattress better on this windy day. And I was thinking, I’m sure he didn’t go to police school for this.

where have you gone, joe dimaggio?

I’ve loved Simon&Garfunkel for as long as I can remember. And, since I was a kid all through the 1960s, I think that’s actually, literally, true. They’ve always been there. They’re part of the image I created for myself of the United States. Simon&Garfunkel, Bobby Kennedy, the 1968 Olympics in Mexico City, The Lucy Show, The Flintstones, ice cream and milk in a glass, and a hand-me-down dress I  wore until I grew out of it. The dress was made from blue and white sear sucker, and it had red trim. It was American, and had been given to me by a family who had lived in the US for a while. Civil rights and Lucille Ball, a girl’s dress. I was 7.